The next chapter of the Divided by 13 story begins now. And it’s gonna be a loud one.

The CCC 9/15 Combines two of our most popular amplifiers!

By taking the front end (preamp) “Flexibility” of the CJ 11 with it’s more traditional tone arrangement of volume (with pull gain/mid boost), treble, bass, and master volume and combining it with the JRT 9/15’s “Switchable”, by toggle “Dual” back end (power amp) of either (2) 6V6GT’s at 9 watts or (2) EL84’s at 15 watts you get the biggest sound in a low wattage amplifier heard to date, and NOW with the increased “Flexibility” some customers need. Simply stunning tonal variety for all low wattage applications!

“With a Little Help From His Friends”

Keeping in the well established tradition of the RSA 23, the BTR 23 (Developed for Brian Ray of Paul McCartney’s band) retains the truly unique and stand-alone sonic signature of the well established RSA 23, combining the best attributes of several of our favorite British amplifier formats, from the speed, sensitivity, and dynamics of our favorite EL84 amp from England, to the mid-range punch and aggressive drive of some of our favorite 50 to 100 Watt 4-input amplifiers from England, topped off with the very unique roaring, powerful, creamy and articulate overdrive offered in our favorite 200 Watt KT88 amplifier from England, we took it further (per Brian’s request) in development by adding a push/pull on the volume to offer additional gain where needed, and a transparent and highly effective master volume to make it more agreeable with on stage application, while still maintaining the single note chord definition at all ranges from 1 to 10 which remains simply spectacular!

Truely a “Stand Alone” Sonic Experience!

Two amps in one?

With an overly stout and painstakingly developed power supply made to accommodate two sets of power tubes, the JRT 9/15 offers the biggest sound in a low wattage amplifier heard to date.
Starting from right to left, the single input of the amplifier (high and low sensitivity) feeds the inputs of two 5879 Pentodes, each with its own volume control and blendable. Each is voiced differently: one is brighter with more clean headroom while the other is gainier and thicker in the low mids. Added to this volume is a 6 position switch which offers a “bright cap” selection. The last knob is a high cut for the overall amplifier. The “Mode” toggle provides a selection of either 9+ Watts with 6V6s, or 15+ Watts with EL84s, offering and exceeding the best tones available in some of our favorite late 50’s American 6V6 amplifiers, and our favorite EL84/EL34 English amplifiers. Don’t be fooled by its size; this one sounds huge!

*Debuted with Frank Simes — Don Henley Tour, 2004

Can You?

When asked, by Corky James, amongest others, “Can you take my favorite 1959 tweed amp from Fullerton and instead of the controls being Volume Volume Tone make it Volume Treble Bass, give it more clean headroom, a wider range of usable overdrive (throw in a little EL 34), make it a little louder with fuller, tighter low end, and put a master volume in it so i can play at all levels and dial in and hit the sweet spot of whatever speaker i am using at the time, mostly a G12M Celestion?”

Sure.
Powered by 2 6V6GTs it’s hard to believe the performance of this stout, 11 watt, 1×12 combo that is just the latest in an ongoing tradition here at Divided by 13 of collaborating with and responding to what players, writters, and produceres ask us to do. Divided by 13 is happy to announce the CJ 11 along with 3 other new 1×12 combos designed to be the “necessary ingredient” to help you achieve your goals in your music making endevors.

Capturing and exceeding some of the best tones offered by our favorite amp from Fullerton and our favorite amp from England, the FTR 37 from 1 to 10 can produce the most pure and bodied clean tones, to varying degrees of medium and over-the-top types of complex and full-bodied overdrive.

Coupled with the exterior switching/boost device, the Switchazel, the flexibility available in both channels, either separate or blended, offer an infinite array of guitar tones rarely thought possible for the music maker of today.

The new AMW 39 is an amplifier we were asked to developed that would be made small enough to fit on top of our 2x12D and deliver the same sound and performance as the LDW 17/39. it is the same amplifier as the LDW, “shortened” and with the “half power” functioned removed.